Gewalt- und Körperdarstellung im Film: Eine Analyse anhand einiger Filmbeispiele (German Edition)

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Reading is an effective method to learn new vocabulary in the context. Important words about the topic are listed at the end of the book.

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For every text there are ten easy questions and solutions. To translate words in your language, it is important to use your translation-feature on your e-book-reader. Sie wollen schnell und einfach Deutsch lernen ohne von Grammatik gelangweilt zu werden? Diese kurzen Geschichten trainieren Ihren Wortschatz.

Lesen ist eine effektive Methode, um neue Vokabeln im Kontext zu lernen. Volete imparare il tedesco in modo rapido e semplice senza essere annoiato di grammatica? Parole importanti del tema sono elencati alla fine del libro. Ci sono dieci semplici domande e soluzioni per qualsiasi testo. It contains five short and easy reading texts about the topic Working.

It contains five short and easy reading texts about the topic Living. More by Anne Conrad. Also das ist ein muslimischer Name. Ein muslimischer Jurastudent, ebenfalls aus Hamburg, setzt die entsprechende Betonung: Diese Kritik richtet sich — so zumindest die Verfechter eines solchen Gemeinschaftsprojekts — in aller Regel gegen den Kapitalismus und die mit ihm verbundenen Machtstrukturen, wie sie staatliche und internationale Institutionen legitimieren.

Viele haben gesagt, als Gaddafi in Libyen seine Revolution gemacht hat: Ja, Zidane ist ein Integrierter. Er spricht kein Kabylisch. Er ist Franzose und hat es geschafft. Darauf lenkt eine Studentin aus einer kabylischsprachigen Familie in Paris den Blick:. Man sollte die zeigen, zum Beispiel mehr Leute wie er in verantwortungsvollen Posten, nicht nur im Sport. Er macht mich stolz, weil er den Franzosen eine Lektion erteilt: Hier einer, den ihr zehn Jahre lang angehimmelt habt, und er ist ein Muslim, einer von denen, die ihr nicht sehen wollt.

Die Sprache dieser Respekt- und Freiheitsgemeinschaft ist die des Rechts. Zidane spielt hier als Kabyle oder als Familienmensch: The lack of soundtrack, the dead silence, takes possession of the images. From time to time the very words cast doubt the communicability of the experience, contradict themselves. The destination is not a specific place of remembrance. Something perfect for the most passionate fans of Martin Scorsese.

Produced in , this film is his first documentary. The first and already so very intimate, revealing: Through this film we also learn Charles and Catherine Scorsese's views on religion, customs, fatherland, cuisine, and cooking. This is not a sentimental picture, but a source of interesting and inspiring facts from the life of the grand master's family and his loved ones.

A boy is dancing in the street amidst the cars. He is probably dancing for money. His attire is bizarre — something like an ice-skating dress and puffed pants. He has no headphones on, you can't see any music player. A quote from Pushkin at the film's opening mentions a certain sound of a South-American flute that can be heard only by its player. Hier werden Ausgrabungen gemacht. Sydney Police photographs dating from to Through an examination the role of repetition compulsion in potentially over-riding the pleasure principle, Freud ultimately developed his opposition between Eros, the life instinct, and Thanatos, the death drive.

With his ecstatic temperament, the active and multi-disciplinary author can inspire young painters, sculptors, and graphic artists from Szczecin and other Polish cities. Since he has lived and presented his art in the USA. His works are held in renowned European museums. Mich faszinierte, dass es offenbar keinen Widerspruch zwischen Natur und Kultur zu geben schien, worin ich auch eine Verbindung zu meiner eigenen Arbeit empfand.

Er versucht, eine Ikone zu verkaufen, bettelt um eine Zigarette. Die Gegenwart ist wie sie ist. Zoran lacht in die Kamera. A simulation of late-night London reflected in the window of an East-end kebab shop. An exercise in minimal animation. Kern is excessive in every respect and impressive not just because of his girth. A former Fassbinder actor, he is an aging diva, openly gay, an irritating and uncompromising character.

His strong voice fills every room, even if it is only a modest modern flat in the Viennese suburbs. He is on stage everywhere, keeping the two directors Veronika Franz and Severin Fiala on a short leash. He never for a moment permits any illusion about who is directing this film. He turns the camera around and holds the mirror up to us. He is the finger in the wound, exposing our voyeurism and pleasure in the obscene. But Franz and Fiala bravely stand up to him and disarm him by revealing their strategies.

This shadow-boxing produces an extraordinary and complex portrait. MuLa lives in a Thai village by the Burmese border. She is from the Kajan people and her neck is adorned with characteristic gold neck rings. Her life has not been easy as she had to leave her native Burma and seek refuge in Thailand while her only daughter stayed home. A film which can be recognised as a model agitational picture of the Stalinist times of Polish cinema, and which Andrzej Wajda could quote as the work of director Burski in his Man of marble.

It has all the features of that period's documentary cinema, where commentary was the instance organising the whole film, carrying the biggest part of the ideological propaganda message, only supplemented by the adequately edited picture. The camera records his behaviour in different circumstances.

A story about a brutal game and torture with a surprising finale. Provokes reflection on the omnipresent violence of both the real and the virtual world. The view we get is one of non-participation, an inaccessible anomaly to any form of definition which is the precise perspective the artists want to experiment with when looking at the space and surroundings of what signifies the German political centre, at political geography and urban landscapes of power.

Der beste Dart Spieler aller Zeiten.

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Ein Volks- und Nationalheld. An office employee is forced to fight a mysterious force that attacks him unexpectedly. A warning for workaholics, perhaps? The quasi-feature film structure of the film is based on the task set before the crew of the coal train from Silesia to the steel mill in Szczecin, but also before other railwaymen assisting in the train's long route. The fight to carry out the plan, which is a typical topic for socialist realism cinema, was pictured by the filmmakers in a way which escapes the formula typical of those days.

It is the people responsible for the task who are the most important here — their work ethic. The author presents their toil and their everyday life. One can feel the presence of two different times in the picture — the bygone when the plant was still vibrant and the present a fall of the works and the metallurgy industry. The film's cinematography has been done outdoors, without disturbing the insects' natural environment. A documentary showing one day in the life of the people working at the landfill in Howrah India.

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That is where garbage from 16 mln people can be found. Thanks to this more than people have a job, picking garbage. However, the poverty all around is unimaginable — mothers who busily look for food waste to be able to feed their families. Children who play joyfully, regardless of everything around them, and herds of wild pigs fitting into the landscape. A film about the everyday struggle to survive, about dreams and visions.

Schon am Anfang des Films hat sich dieser Kreis geschlossen. Ohne Ton, quasi schwebend, begibt sich die Kamera in der Umrundung einer unterirdischen Verkehrsinsel auf ihre Umlaufbahn.

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The train arrives on time. A man carrying a trunk steps off. The Esplanade, the Ritz, the Savoy Dann sind Kontrollarbeiten an einem Staudamm zu sehen. Spannende Einblicke in entlegene Orte und Zeiten. This is the real deal, and it will find fans among lovers of the demonic possession horror subgenre. A feverish night in Morocco, year A child feels the presence of a spirit: The cause of her exile was political.

This film is a quiet tale: The child of contemporary times and the political refugee come back home, they become one, they roam through strange, abandoned buildings, in search of a lost home and childhood. A voice of a man returns from the past to protect the woman and revive her lost memories. And then a new fight, the Arab Spring in Morocco, floods the future. This film is an evocative and shocking story of one man, Samuel Houston, who had been a political prisoner during the military dictatorship in Chile.

The work is universal and constitutes a clear warning against dictatorships and totalitarianism of any kind. Oliver Hardcastle made his film in an intriguing animated style. Jeder Bewohner kennt nur die eigene. Einmal ist man so erfreut, Post aus den USA zu erhalten, dass man glaubt, der Bote kann nur der Freund des eigenen Sohnes sein und habe den Brief von dort hierher gebracht. A true gem, both for horror enthusiasts and for lovers of film history. La Reprise is an ongoing exercise begun on April 21, Every week, a subsequent minute is produced consisting of scenes shot that week along with archival material from the past years.

Footage and sound are consistently recorded with the same single device. The film may distort, but there is always a presumption that something exists, or did exist, which is what was recorded. The sequences are neither true nor false, they integrate various degrees of theatricality and authenticity. They become portraits of an agitated immersion in the perpetual process of systematic indexing and gathering, and of close observations. I am a passenger, a witness to recurrences and patterns.

This continuous collage of archives is the tension. The narrative is disconnected from the sum of its parts, and elaborates on successes and failures. Each screening becomes a unique occasion to view the film as the succession of each 1min weekly film is then randomly sorted. June 8, https: April 13, https: No doubt these ideas have accelerated exponentially over the past 45 years and ring more true today — and somehow relevant to a holiday called Thanksgiving when pictures of distant loved ones are replaced by the actual people for a few hours.

A documentary film produced for the History Channel. The director goes back in time and analyses the influence that the Statue of Liberty has had on New Yorkers. A funny yet uncomfortable exploration of personal space through the lens of both human and machine, this video short turns the "eye of the beholder" back upon itself. Greta 12 and Gunnar 12 spend a lot of time on the adventure playground building a hut. Waiting for Gunnar's arrival, she unexpectedly get in contact with a porn for the first time. This extraordinary film depicts the events of an archeological expedition form the s, on the tracks of the elephas falconeri — a dwarf elephant, a creature that existed but is nonetheless reminiscent of the legendary Cyclops.

The film presents a competition of patriotic song, held in a Polish primary school on Independence Day 11th of November. The director has been consistent with the black-and-white stylistics, which produces a splendid result. As viewers we watch the students of varying age and vocal abilities compete against each other. Their parents and grandparents observe the whole event with wonder, moved. Ein Kinderschuh liegt auf einer Bahnsteigkante. In the video, the artist drips honey onto an webcam embedded in her screen and licks it off, sensually engaging her computer.

The film is made out of photographs.


An attempt to confront two spheres: The film is partly based on the author's psychiatric assessments diagnosing her with Gender Identity Disorder, in accordance with the International Classification of Diseases. Along with the discourse of the legally mandatory documents for transgendered people are her own personal writings that reflect upon the nature of memory — the present interpretation of the past - and question the possibility of any coherent biographic or filmic narrative.

As evocative images inconspicuously blend with found family footage, a multilayered reality emerges in which the distinction between what is true or false becomes unimportant and obsolete. When was the first email sent? Can robots win the World Cup? Are there still any places free of electromagnetic waves? The legendary documentary filmmaker and Academy Award nominee Werner Herzog in his newest film deals with the Internet. Herzog shows technological development and its influence on the lives of particular generations.

A sculpture on the tomb of Julius II in St. Peter's Basilica in Rome — Moses by Michelangelo — becomes the object of the director's careful observation. Thanks to excellent light manipulation, the viewer gets the impression that the statue is also attentively observing Antonioni. In the face of art, one can see the mortality and imperfection of man.

Streben nach Macht oder nach Harmonie? It is about a hiking tour from the Czech-Austrian border to Hallstatt. The film interweaves scenes of the journey with impressively minimalist performances and dreams by Boris Nieslony. The film centres on a man, who sets off on a very lonely journey.

His path takes him from a deserted village on the former death strip between the Czech Republic and Austria into the mountains. The last part of his hiking tour starts on the expanses of the high plateau on the Dachstein, his journey ends in Hallstatt. Yesterday was a time of peace, today has come a time of war. What if all the world's military could resolve conflicts through music and not by playing with other people's lives?

An intriguing short musical documentary, where an orchestra plays solemnly while shocking footage of post-war ruins appear on screen. An unambiguously pacifistic message is conveyed by every shot. A scientific-comic film about animal life. Rossellini embodies them with her fantasy, doing laugh by offst that she creats between the scientific speech and her staging fun and creative. In the fate of little Adrian moved the hearts of people so deeply that the boy did not only receive material help, but also his biggest dream came true — abandoned by his biological parents, he found new ones.

Adrian, fighting an incurable disease, wanted to have a new home and, finally, a wonderful childhood. But the new parents put the boy into foster care in less than a year after taking him in. Will someone finally love Adrian? Kangbashi is being built as an ultramodern administrative, research, finance and education centre to dwarf all its predecessors. Not far away, Yumen is crumbling hopelessly. Two manifestations of megalomania, both of them ghost towns: Man Made Place is a Janus-faced opera, like a gigantic coin, not with two sides but with haunting images full of quiet mourning and painful melancholy.

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Die folgenden Bilder decken die Konvention der gefilmten Situation auf: Die Werkshalle in der die Handlung stattfindet ist absolut authentisch, mit einer starken symbolischen Bedeutung. Es ist die Halle der Schiffswerft in Danzig. Die Produktion liegt zwischen Dokumentarfilm und Videokunst. Maria is passing away, gently and peacefully, surrounded by family and friends. The calm voices of women fill the room — a room with a television set, a tile stove, and candles lit by Maria's side.

She is sleeping peacefully. Her companions are eating, laughing quietly, and talking all the time. Maria passes away amidst their friendly and cheerful voices. This documentary film, very simple both in terms of image and sound, is filled with calmness, discretion, respect for the situation and characters; at the same time it aptly captures this terminal situation and its participants. A documentary short about a Szczecin nationalist and the Warsaw March of Independence that he lead, and which witnessed the most serious riots in the event's history.

A short film about an individual losing their voice in the crowd.

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A documentary about two employees of a Sliseian dissection lab: The film shows them during their work in dissection-rooms, as well as during conversations about this distinctive profession. The younger man has a son, from whom he has been concealing the drastic details of his work for a long time. He has a dream — to spend his vacation in the Seychelles. The elder man relaxes after work thanks by skiing and spending time in his beloved dovecot.

Aleppo is a city in north-western Syria, located about 50 km south of the border with Turkey. Today it is considered to be the most dangerous and restless city in the world.

Its inhabitants live in a state of constant fear and threat. Their existence can be compared to sitting on a time bomb. An experimental short focusing on the changing environment that we inhabit: A split screen, replicating the portrayal of the same person in a woodland and an urban environment; it tests our perception by showing what became paradoxically natural for the Western man: This rejection is probably irreversible. After Poland regained its independence in , this rural area became German territory.

The rest of the region remained Polish territory. The village was home to only 4 German families, all other inhabitants were Polish. It was not until however that it was permitted to open a private Catholic school with Polish language. In his life imagination and reality form a world, where it's hard to resist being dragged in illusion, but even harder to get out of it. Every day, he lives with a threat of falling back to psychosis. But Oliver is struggling and quite happy about every boringly ordinary day.

An Animated Documentary about Oliver, a man from Tallinn, who, as a young man suffered from bouts of schizophrenia. The documentary, first made as an advertisement for the Hamburg-America Lines, is the first German feature-length film with sound. A sailor and his beloved with all their belongings go to the port where a ship is waiting for them. These are the last sweet moments they spend on land, for they are about to part with what they know and enter the new, faraway land. The picture includes rhythmic sequences that depict the confrontation of man with war, death, love, and fun.

In the recent two decades, the number of Hungarians considering living in a foreign country has tripled. Mirjam and Attila, two young Hungarians, the main characters of the movie, live their everyday lives in New York City. They left their home country with different goals; they live lives very different from one another, yet they are bound by the same dilemma of leaving or staying.

It is a story about young Poles who came into adulthood in the cruel reality of occupation. Still, they are full of life, passionate, impatient. They live like every day can be their last. It is a dream about the moment when one can fulfill the duty owed to their Homeland. Esther, a young girl of Nigerian origin, lives in Lebanon.

Sintayehu, 42, spent his early years as a beggar, convinced by his parents that he was fit for nothing else. But the young man had a passion to do something useful, and over the years this desire grew and grew. Today, Sintayehu stands out in his community more for his skills than for his appearance. He inspires those around him by working in public places, putting his considerable talents on display. Sintayheu lives in Addis Ababa, the capital city of Ethiopia, with his wife and five children. This minute documentary film shows a typical day of mister Henryk. For the first time, however, something exceptional happens — something our protagonist will never forget.

The film is set in contemporary Szczecin. In it was him who initiated the creation of the Kamera Association, which successfully popularises film art in the West Pomerania region. An ordinary neighbourhood in an ordinary town. Two women sit on a sofa and scratch their pregnant bellies. Four days till the due date. The situation is as unbearable as it is unavoidable. The only advantage in having another child is that one no longer has to play with the first one. Artist and filmmaker Joanna Rytel uses claymation to candidly address questions and situations that usually go unnoticed.

As a young girl, Monica used to dream of becoming a hairdresser. Unfortunately, her life went differently from what she had planned. She became a victim of human trafficking and has been forced into prostitution. In the form of an intimate interview, the picture tells her dramatic story. The film is based on a real conversation.

The director has created his work from a series of personal messages by people who have recently lost someone very close and, with the help of the camera, are trying to talk to the dead as if they were still alive. The film medium becomes a form of self-therapy for the participants.

This has resulted in a picture that talks about life where death is a natural, unavoidable, and traumatic event. Sooner or later, everyone will need to face it and go through several obligatory emotional stages such as denial, anger, sorrow, and, finally, acceptance. Rethinking the past - mixing up and blanking out - happens both to individuals and states. How much fake the story should be to become credible? Revealing a very personal research on the features of Soviet Era through the minor details - like homogenous haircuts or way that head scarfs are used - the scary routs of social dissolving.

War has many facets, abduction and displacement have opposite causes.

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Janina, born in eastern Poland, found herself in the Soviet Union after the German-Russian division of the country, was deported to Siberia at the age of ten and six years later to Stettin, which was now called Szczecin. This is where Annemarie lived, until Janina arrived, when she moved to the West with the Germans. Both women have ceased to weep. They have wept enough during their lives. The desert extends endlessly — flat, grey, relentless. There is not a tree or blade of grass or rock. But there is one thing in abundance: Salt is everywhere, lying just beneath the cracked, baked surface of the earth.

This is the Little Rann of Kutch, sq kms of saline desert in India. And for eight months of the year, Chhanabhai and his family live here without water, electricity or provisions — tirelessly extracting salt from this desolate landscape. Under the blinding glare of the sun, they work on the salt fields until large crystals have formed. After months of hard work, the salt is ready to be harvested - just before the heavy monsoon rains will come to once again wash their salt fields away.

The film plays with the tension between images of shadows, a text describing shadows and an audio independent from the images and text. This juxtaposition of each element one to the other in the end creates a sense of lightness appropriate for a shadow. A subjective review of works of Italian cinematography which influenced Martin Scorsese most. The director pays homage to his great compatriots: Shot in traditional mm format, the film is a collage of different genres: This long film, over four hours in running time, is watched with excitement throughout, and that is thanks to the interesting, personal, and amusing commentary by Scorsese.

He decided to make a cautionary reportage. He did not expect the case to take the sensational track that it did. To reveal how the fraud works, the author decided on a journalist provocation. By taking on the identity of a fraudulent grandson, he got in touch with the real criminals. It is barely a few weeks of stay among the soldiers and observing their everyday life. No big stories, just regular everyday life of Iraqis, intertwined with explosions and terrorist attacks.

What about nature and culture and their supposed contraposition? When they meet, is there really a difference in their behaviour? Are they substantially different? Contemporary times prove very well that man is a mere product of nature. Like a medusa or a fruit fly or a fern or a bacteria or a virus. Like worms they fuck around in an apple until every bit is eaten. They die together with the apple and manifest themselves as part of nature.

Hence, culture as a product of man is a product of nature and a product of nature cannot be anything else but nature. One can spend moments of great pleasure watching nature. When walking just at dawn in a shopping center or an industrial park or through a parking lot. The early sun shines brightly in the dewdrops that hang on a ware house sign. The wind enjoys itself with a plastic bag that is captured by barbed wire.

A story about collective experiencing, without any pathos or unnecessary tears. He lives on a quiet farm with his brother, who spends his time painting gloomy landscapes. Throughout the years, the animated character made a great impact on his erotic comics. When Wouter starts publishing his works in the Internet, people begin to develop prejudice towards him. He, however, becomes more aware of what he is presenting, and would like to be recognised for it.

Will he achieve his goal? Vielleicht bist du das? Dich auf die Muster konzentrieren: Das richtige Detail finden? Der Anfang und das Ende einer Reise, und was dazwischen liegt. Her elder sister, a vibraphone player, joined in. Director Szymon Nygard took the challenge. Und in der Tat, wir betrachten ihn wie ein perfektes Universum aus der Beschreibung einer mythischen Welt. This film, made on the basis of Munk's own script, is a humorous film essay, with a subtitle appropriate to its character: It tells a story of a summer Sunday morning in Warsaw, of the city dwellers seen mostly through the bus window.

Munk used this trivial anecdote to observe and stage typical, everyday scenes from the life of the inhabitants of Warsaw. They do not lack the qualities of realistic observation and humour. A horrifying story about lonely siblings in a mysterious forest. There are demons, possession, incest, and death. There is a lot to fear. The film has been presented at the IIK!! Der Esel ist das einzige Tier, das Jesus getragen hat. Es ist ein heiliges Tier.

Ein Esel geht hier wie durch eine biblische Landschaft. Der Esel stirbt in Einsamkeit. Aus seinem Unterkiefer wird ein Musikinstrument. Der verstorbene afro-peruanische Tap Dancer und Cajun Musiker Amador Ballumbrosio wusste, dass er einmal, wie alle hier, als Esel wiederkehren werde. Anstatt zu trauern und zu weinen, tanzten die Menschen auf seiner Beerdigung und machten Musik wie er. Der Film unter demselben Titel Regie: Die statische Aufnahme einer Gasse in Teheran. Because a landslide threatens, yak herdsmen and their families in Kyrgyzstan will soon have to leave their traditional territory.

They drive their herds through a seemingly endless snow-covered landscape of breathtaking beauty. The film team must have had a hard time keeping up with them through the snow drifts and across the ice. The focus is on the animals, and on one occasion they are almost engulfed by an avalanche. The people are often shown as a small part of an omnipotent natural world. It is not until the herdsmen and their yaks reach a caravanserai, where the animals are sold, that civilisation intrudes in the shape of inquisitive tourists and a blaring car radio.

Nature has its limits — as does the lifestyle of the yak herders, as the film very nostalgically testifies. Both films tell the story of a provincial circus. The films are 52 years apart and belong to different genres The Impossible Goodbye is a feature film , and the laundry is done differently as well no buckets or jugs anymore, but an automatic laundry machine. However, in both the year-old circus story as well as the contemporary one, the circus lady does the laundry outside. In the story by Vita Drygas we get to see the Arizona circus, where the husbands throw knives at their wives.

And the audience, regardless of age, take in the experience: Everyday, many people around the world close their eyes never to open them again. In Eastern Europe there is a holiday dedicated to them — Pastele Blajinilor. It is a blend of two traditions: People visit the graves of their dearly departed and hold feasts as if the dead were still with them. In recent years this form of celebrating has been criticised in the media, some of its elements being vulgar and grotesque. But what if we were to look a little deeper? Olga Lucovnicova has made an amazing documentary film that makes the viewer familiar with this peculiar tradition.

An animated, personal, and philosophical documentary. Mariusz — the film's protagonist and narrator — tells a simple story: Adela Kaczmarek follows Mariusz's words and drawings. He has been mentally ill for many years. Through his drawings and his tale we discover this man's world — in both its difficult-to-penetrate aspect of what we call illness, and its universal aspect.

The director creates a unique depiction of a search that is taking place in-between two worlds — an ice desert and an underwater world. The entire story is told from various perspectives: The rare juxtaposition of images establish the pace and extraordinary atmosphere of the film. One day from life of two men — a successful businessman and an unemployed man.

They both represent the growing Polish democracy. We follow them in their everyday rhythm. Their lives are difficult, and neither of them can reach happiness. The contrast between the image of a good citizen in quotes and the way such a person really feels. The video uses an experimental approach to strengthen the contrast observed in the film.

A documentary not necessarily about an Oscar-awarded film, but rather about what happened after the fact. The camera follows the people, places, adventures, and feelings accompanying that production: The shop on Main Street from The Czechoslovakian film made cinema history as the first central-European film to win an Academy Award. The nostalgically black-and-white documentary The stop on Main Street returns to the atmosphere of The shop on Main Street, also appreciating those who couldn't play in the Oscar-winning film due to important life matters.

An ascetic story, one that captivates with beautiful cinematography, of a young man who decides one day to commit suicide in verdant surroundings. The director has created a fascinating, mysterious film, which keeps escaping any poetics- or genre-related classification. Is this a documentary, a feature, or an experimental film? Or maybe it is made up of parts from all these categories? Somewhere near a beautiful forest there are leisurely but careful preparations taking place.

Festive outfits, tables being covered by sheets, a vase of fresh flowers from the field or the woods. Someone is dusting, a clock is ticking, beautiful weather, woods, fairytale serenity. Dressed in their best, the people wait. The documentary was shot in Sokole, in a nursing home on the Polish-Belarusian border. Poles are used to Germans looking for places where their ancestors used to live, both in Szczecin and other locations east from the Oder. Wandering through the West Pomeranian Voivodeship and Brandenburg he is amazed to discover how many nationalities have exerted and are still exerting influence on how we live today.

The film captures the unique process of a new community being born on the Polish-German borderland. It is a story about Szczecin, which, thanks to the development of major industry from the midth century until the s , radically changed its appearance. It became a large metropolis known in Europe and around the world. The film consists of old photographs and documents, among other things. With practiced hands, they prepare meal after meal in their fully stocked West Berlin kitchen, all the while sharing engaging stories about their past. Some are endearing memories of dance clubs and heartthrobs, some very difficult recollections of their time spent in Nazi concentration camps.

Their sincerity and outpouring of warmth are magnetic, and it is almost impossible not to fall in love with them by the end of the film.